Publications

Book Chapters

Refereed Journal Articles

Fully Refereed Conference Proceedings

  • Charles P. Martin and Jim Torresen. 2018. RoboJam: A musical mixture density network for collaborative touchscreen interaction. In Computational intelligence in music, sound, art and design: International conference, EvoMUSART (in press) (Lecture notes in computer science). Springer International Publishing, Switzerland. https://doi.org/10.1007/978-3-319-77583-8_11 URL: http://arxiv.org/abs/1711.10746
  • Charles P. Martin, Kai Olav Ellefsen, and Jim Torresen. 2017. Deep models for ensemble touch-screen improvisation. In Proceedings of the 12th international audio mostly conference on augmented and participatory sound and music experiences (AM ’17).. https://doi.org/10.1145/3123514.3123556
  • Charles P. Martin and Jim Torresen. 2017. Exploring social mobile music with tiny touch-screen performances. In Proceedings of the 14th sound and music computing conference (SMC ’17). Aalto University, Espoo, Finland, 175–180. Retrieved from http://smc2017.aalto.fi/media/materials/proceedings/SMC17_p175.pdf
  • Charles P. Martin and Jim Torresen. 2017. MicroJam: An app for sharing tiny touch-screen performances. In Proceedings of the international conference on new interfaces for musical expression (NIME ’17). Aalborg University Copenhagen, Denmark, 495–496. Retrieved from http://urn.nb.no/URN:NBN:no-58823
  • Charles Martin, Henry Gardner, Ben Swift, and Michael Martin. 2016. Intelligent agents and networked buttons improve free-improvised ensemble music-making on touch-screens. In Proceedings of the SIGCHI conference on human factors in computing systems (CHI ’16). ACM, New York, NY, USA, 2295–2306. https://doi.org/10.1145/2858036.2858269
  • Charles Martin and Henry Gardner. 2016. Free-improvised rehearsal-as-research for musical HCI. In Proceedings of the CHI musical HCI workshop.. https://doi.org/10.5281/zenodo.56378 URL: http://folk.uio.no/charlepm/preprints/2016-CHI-MusicHCI-RehearsalAsResearch.pdf
  • Charles Martin and Henry Gardner. 2016. Can machine learning apply to musical ensembles? In Proceedings of the CHI human-centered machine learning workshop.. https://doi.org/10.5281/zenodo.56379 URL: http://folk.uio.no/charlepm/preprints/2016-CHI-HCML-MachineLearningEnsembles.pdf
  • Charles Martin, Henry Gardner, Ben Swift, and Michael Martin. 2015. Music of 18 performances: Evaluating apps and agents with free improvisation. In Proceedings of the 2015 conference of the Australasian Computer Music Association (ACMC2015 - make!). Australasian Computer Music Association, 85–94. Retrieved from http://hdl.handle.net/1885/95205
  • Charles Martin and Henry Gardner. 2015. That syncing feeling: Networked strategies for enabling ensemble creativity in iPad musicians. In Proceedings of CreateWorld. Griffith University, Brisbane, Australia. Retrieved from http://hdl.handle.net/1885/95216
  • Charles Martin, Henry Gardner, and Ben Swift. 2015. Tracking ensemble performance on touch-screens with gesture classification and transition matrices. In Proceedings of the international conference on new interfaces for musical expression. Louisiana State University, Baton Rouge, Louisiana, USA, 359–364. Retrieved from http://www.nime.org/proceedings/2015/nime2015_242.pdf
  • Charles Martin, Henry Gardner, and Ben Swift. 2014. MetaTravels and MetaLonsdale: iPad apps for percussive improvisation. In CHI ’14 extended abstracts on human factors in computing systems (CHI EA ’14). ACM, New York, NY, USA, 547–550. https://doi.org/10.1145/2559206.2574805
  • Charles Martin, Henry Gardner, and Ben Swift. 2014. Exploring percussive gesture on iPads with Ensemble Metatone. In Proceedings of the SIGCHI conference on human factors in computing systems (CHI ’14). ACM, New York, NY, USA, 1025–1028. https://doi.org/10.1145/2556288.2557226 URL: http://doi.acm.org/10.1145/2556288.2557226
  • Charles Martin and Henry Gardner. 2014. Preserving musical performance on touch-screens. In Proceedings of the CHI 2014 workshop on curating the digital: Spaces for art and interaction. Toronto, Canada. https://doi.org/10.5281/zenodo.1175599 URL: http://folk.uio.no/charlepm/preprints/2014-CHI-CuratingDigital-PreservingMusicalPerformance.pdf
  • Charles Martin. 2013. Integrating mobile music with percussion performance practice. In Proceedings of the international computer music conference. Perth, Australia, 437–440. Retrieved from http://hdl.handle.net/2027/spo.bbp2372.2013.073
  • Charles Martin. 2013. Performing with a mobile computer system for vibraphone. In Proceedings of the international conference on new interfaces for musical expression. Graduate School of Culture Technology, KAIST, Daejeon, Republic of Korea, 377–380. Retrieved from http://nime.org/proceedings/2013/nime2013_121.pdf
  • Charles Martin and Chi-Hsia Lai. 2011. Strike on Stage: A percussion and media performance. In Proceedings of the international conference on new interfaces for musical expression. Oslo, Norway, 142–143. Retrieved from http://www.nime.org/proceedings/2011/nime2011_142.pdf
  • Charles Martin, Benjamin Forster, and Hanna Cormick. 2010. Cross-artform performance using networked interfaces: Last Man to Die’s Vital LMTD. In Proceedings of the international conference on new interfaces for musical expression. Sydney, Australia, 204–207. Retrieved from http://www.nime.org/proceedings/2010/nime2010_204.pdf

Other Publication Outputs

Articles Under Review

Non-Refereed Conference Proceedings

  • Charles Martin. 2014. Making improvised music for iPad and percussion with Ensemble Metatone. In Proceedings of the Australasian computer music conference. 115–118. Retrieved from http://hdl.handle.net/1885/95314
  • Charles Martin. 2012. Creating mobile computer music for percussionists: Snow music. In Proceedings of the Australasian computer music conference. Australasian Computer Music Association, The Basin, Australia. https://doi.org/10.13140/RG.2.1.5150.5687
  • Charles Martin, Benjamin Forster, and Hanna Cormick. 2010. Audience interactive performance in “The Last Man to Die". In Proceedings of the Australasian computer music conference. Australasian Computer Music Association, The Basin, Australia, 89–91. Retrieved from http://hdl.handle.net/1885/101945

Non-Refereed Conference Presentations

  • Charles P. Martin. 2017. Musical networks and creative AI. In Technology and emotions. Oslo, Norway.
  • Charles Patrick Martin. 2017. Making social music with MicroJam. In Cutting edge festival: Future planet, future society, future you. Oslo, Norway.
  • Charles P. Martin. 2017. Musical networks: Using recurrent neural networks to model and complement musical creativity. In Musikkteknologidagene. Norwegian Academy of Music, Oslo, Norway. https://doi.org/10.13140/RG.2.2.27125.06887
  • Charles P. Martin. 2017. MicroJam: A social app for making music. In Boost - technology and equality in music. JM Norway, Sentralen, Oslo, Norway.
  • Charles Martin. 2015. Decoding performance with data. In Musicological Society of Australia National Conference. Sydney Conservatorium of Music, Sydney, Australia. Retrieved from http://folk.uio.no/charlepm/preprints/2015-MSA-DecodingPerformanceWithData.pdf
  • Charles Martin. 2014. iPads in percussion ensemble. In Percussive Arts Society International Convention (PASIC ’14). Indianapolis, USA. Retrieved from https://youtu.be/oyW3mFyoz-I

Open-Source Code Projects

Open Data Sets

Selected Research-Led Artistic Performances

  • Charles P. Martin, Alexander Refsum Jensenius, Kari Anne Vadstensvik Bjerkestrand, and Victoria Johnson. 2017. Stillness under tension: Performance for Myo armbands and Bela embedded computers. In MusicLab vol.1: Biophysical music.. Retrieved from https://youtu.be/tDkJqoFpnF8
  • Alexander Refsum Jensenius, Kari Anne Vadstensvik Bjerkestrand, Victoria Johnson, Victor Evaristo Gonzalez Sanchez, Agata Zelechowska, and Charles Patrick Martin. 2017. Sverm-resonans: Performance installation for acoustically-activated guitars. In Program of the Ultima Contemporary Music Festival, Oslo. Ultima, Sentralen, Oslo, Norway. Retrieved from http://www.uio.no/english/research/groups/fourms/projects/sverm/events/2017/ultima/index.html
  • Charles Patrick Martin, Victor Evaristo Gonzalez Sanchez, Tejaswinee Kelkar, Agata Zelechowska, Stig Johan Berggren, Christina Hopgood, Benedikte Wallace, Henrik Brustad, Bjørnar Utne-Reitan, Kai Olav Ellefsen, Tønnes Frostad Nygaard, Vegard Dønnem Søyseth, Guilherme Schmidt Câmara, and Ximena Alarcón Diaz. 2017. Ensemble metatone: 3-hour improvised touchscreen performance. In Elvelangs i fakkellys (river walk by lantern light).. Retrieved from https://youtu.be/NepiJe-TB_Q
  • Charles Patrick Martin. 2017. Neural Touchscreen Ensemble Performance 2017-07-03. https://doi.org/10.5281/zenodo.831910 URL: https://doi.org/10.5281/zenodo.831910
  • Charles P. Martin. 2016. PhaseRings for iPad ensemble and ensemble director agent. In Musical program of the international conference on auditory display. 232–233. Retrieved from http://www.icad.org/icad2016/proceedings/concert/ICAD2016_paper_99.pdf
  • Erin Helyard, Alexander Hunter, and Charles Martin. 2014. Helyard, Hunter, Martin: Experimental Music Studio Performance (ANU School of Music and ANU Drill Hall Gallery).
  • Charles Martin, Christina Hopgood, Jonathan Griffiths, and Yvonne Lam. 2014. Colour Music Concert with Ensemble Metatone. In Colour Music Concert Series. ANU Drill Hall Gallery, Canberra, Australia. Retrieved from https://youtu.be/ICeHWlNRsgU
  • Charles Martin, Christina Hopgood, Jonathan Griffiths, and Yvonne Lam. 2014. Ensemble Metatone: Loner Series Concert. In You are here festival. Canberra, Australia. Retrieved from https://youtu.be/vNdSjO7H9vE
  • Maria Finkelmeier, Charles Martin, and Jacob Remington. 2013. Ensemble Evolution: Showcase concert. In Percussive arts society international convention (PASIC ’13).. Retrieved from https://youtu.be/zqnffMAHbPA
  • Charles Martin, Christina Hopgood, Jonathan Griffiths, and Yvonne Lam. 2013. Ensemble metatone: Research concert 2013-08-03. Retrieved from http://hdl.handle.net/1885/101467
  • Charles Martin. 2013. Nordlig vinter for vibraphone and iOS devices. In Musical program of the international conference on new interfaces for musical expression (NIME ’13). Daejeon, Republic of Korea.
  • Chi-Hsia Lai and Charles Martin. 2010. Strike on Stage 1.2 for percussion and interactive media. In Musical program of the Australasian computer music conference.. Retrieved from https://vimeo.com/13543935
  • Chi-Hsia Lai and Charles Martin. 2010. Strike on Stage for percussion and interactive media. In Musical program of the international conference on new interfaces for musical expression.. Retrieved from http://www.nime.org/2010/program.html#Performances

Selected Music Recordings