Publications

Papers in Conference Proceedings

  • Charles P. Martin, Kai Olav Ellefsen, and Jim Torresen. 2017. Deep models for ensemble touch-screen improvisation. Proceedings of AM ’17. http://doi.org/10.1145/3123514.3123556
  • Charles P. Martin and Jim Torresen. 2017. Exploring social mobile music with tiny touch-screen performances. Proceedings of the 14th sound and music computing conference, Aalto University, 175–180. http://smc2017.aalto.fi/media/materials/proceedings/SMC17_p175.pdf
  • Charles P. Martin and Jim Torresen. 2017. MicroJam: An app for sharing tiny touch-screen performances. Proceedings of the international conference on new interfaces for musical expression, Aalborg University Copenhagen, 495–496. http://urn.nb.no/URN:NBN:no-58823
  • Charles Martin, Henry Gardner, Ben Swift, and Michael Martin. 2016. Intelligent agents and networked buttons improve free-improvised ensemble music-making on touch-screens. Proceedings of the SIGCHI conference on human factors in computing systems, ACM. http://doi.org/10.1145/2858036.2858269
  • Charles Martin, Henry Gardner, Ben Swift, and Michael Martin. 2015. Music of 18 performances: Evaluating apps and agents with free improvisation. Proceedings of the 2015 conference of the Australasian Computer Music Association, Australasian Computer Music Association, 85–94. http://hdl.handle.net/1885/95205
  • Charles Martin and Henry Gardner. 2015. That syncing feeling: Networked strategies for enabling ensemble creativity in iPad musicians. Proceedings of CreateWorld, Griffith University. http://hdl.handle.net/1885/95216
  • Charles Martin, Henry Gardner, and Ben Swift. 2015. Tracking ensemble performance on touch-screens with gesture classification and transition matrices. Proceedings of the international conference on new interfaces for musical expression. http://www.nime.org/proceedings/2015/nime2015_242.pdf
  • Charles Martin, Henry Gardner, and Ben Swift. 2014. MetaTravels and MetaLonsdale: IPad apps for percussive improvisation. CHI ’14 extended abstracts on human factors in computing systems, ACM, 547–550. http://doi.org/10.1145/2559206.2574805
  • Charles Martin. 2014. Making improvised music for iPad and percussion with Ensemble Metatone. Proceedings of the Australasian computer music conference, 115–118. http://hdl.handle.net/1885/95314
  • Charles Martin, Henry Gardner, and Ben Swift. 2014. Exploring percussive gesture on iPads with Ensemble Metatone. Proceedings of the SIGCHI conference on human factors in computing systems, ACM, 1025–1028. http://doi.org/10.1145/2556288.2557226
  • Charles Martin. 2013. Integrating mobile music with percussion performance practice. Proceedings of the international computer music conference, 437–440. http://hdl.handle.net/2027/spo.bbp2372.2013.073
  • Charles Martin. 2013. Performing with a mobile computer system for vibraphone. Proceedings of the international conference on new interfaces for musical expression, Graduate School of Culture Technology, KAIST, 377–380. http://nime.org/proceedings/2013/nime2013_121.pdf
  • Charles Martin. 2012. Creating mobile computer music for percussionists: Snow music. Proceedings of the Australasian computer music conference, Australasian Computer Music Association. http://doi.org/10.13140/RG.2.1.5150.5687
  • Charles Martin and Chi-Hsia Lai. 2011. Strike on Stage: A percussion and media performance. Proceedings of the international conference on new interfaces for musical expression, 142–143. http://www.nime.org/proceedings/2011/nime2011_142.pdf
  • Charles Martin, Benjamin Forster, and Hanna Cormick. 2010. Audience interactive performance in “The Last Man to Die". Proceedings of the Australasian computer music conference, Australasian Computer Music Association, 89–91. http://hdl.handle.net/1885/101945
  • Charles Martin, Benjamin Forster, and Hanna Cormick. 2010. Cross-artform performance using networked interfaces: Last Man to Die’s Vital LMTD. Proceedings of the international conference on new interfaces for musical expression, 204–207. http://www.nime.org/proceedings/2010/nime2010_204.pdf

Theses

Book Chapters

  • Charles Martin and Henry Gardner. 2016. A percussion-focussed approach to preserving touch-screen improvisation. In Curating the digital: Spaces for art and interaction, David England, Thecla Schiphorst and Nick Bryan-Kinns (eds.). Springer International Publishing, Switzerland. http://doi.org/10.1007/978-3-319-28722-5_5

Workshop and Working Papers

  • Charles Martin and Henry Gardner. 2016. Free-improvised rehearsal-as-research for musical HCI. Proceedings of the CHI musical HCI workshop. http://doi.org/10.5281/zenodo.56378
  • Charles Martin and Henry Gardner. 2016. Can machine learning apply to musical ensembles? Proceedings of the CHI human-centered machine learning workshop. http://doi.org/10.5281/zenodo.56379