Publications

Book Chapters

Refereed Journal Articles

Fully Refereed Conference Proceedings

Other Publication Outputs

Articles Under Review

Non-Refereed Conference Proceedings

  • Charles Martin. 2014. Making improvised music for iPad and percussion with Ensemble Metatone. In Proceedings of the Australasian computer music conference. 115–118. Retrieved from http://hdl.handle.net/1885/95314
  • Charles Martin. 2012. Creating mobile computer music for percussionists: Snow music. In Proceedings of the Australasian computer music conference. Australasian Computer Music Association, The Basin, Australia. https://doi.org/10.13140/RG.2.1.5150.5687
  • Charles Martin, Benjamin Forster, and Hanna Cormick. 2010. Audience interactive performance in “The Last Man to Die". In Proceedings of the Australasian computer music conference. Australasian Computer Music Association, The Basin, Australia, 89–91. Retrieved from http://hdl.handle.net/1885/101945

Non-Refereed Conference Presentations

  • Charles P. Martin. 2017. Musical networks and creative AI. In Technology and emotions. Oslo, Norway.
  • Charles Patrick Martin. 2017. Making social music with MicroJam. In Cutting edge festival: Future planet, future society, future you. Oslo, Norway.
  • Charles P. Martin. 2017. Musical networks: Using recurrent neural networks to model and complement musical creativity. In Musikkteknologidagene. Norwegian Academy of Music, Oslo, Norway. https://doi.org/10.13140/RG.2.2.27125.06887
  • Charles P. Martin. 2017. MicroJam: A social app for making music. In Boost - technology and equality in music. JM Norway, Sentralen, Oslo, Norway.
  • Charles Martin. 2015. Decoding performance with data. In Musicological Society of Australia National Conference. Sydney Conservatorium of Music, Sydney, Australia. Retrieved from http://folk.uio.no/charlepm/preprints/2015-MSA-DecodingPerformanceWithData.pdf
  • Charles Martin. 2014. iPads in percussion ensemble. In Percussive Arts Society International Convention (PASIC ’14). Indianapolis, USA. Retrieved from https://youtu.be/oyW3mFyoz-I

Open-Source Code Projects

Open Data Sets

Selected Research-Led Artistic Performances

  • Charles P. Martin, Alexander Refsum Jensenius, Kari Anne Vadstensvik Bjerkestrand, and Victoria Johnson. 2017. Stillness under tension: Performance for Myo armbands and Bela embedded computers. In MusicLab vol.1: Biophysical music.. https://doi.org/10.5281/zenodo.1215956 URL: https://youtu.be/tDkJqoFpnF8
  • Alexander Refsum Jensenius, Kari Anne Vadstensvik Bjerkestrand, Victoria Johnson, Gonzalez SanchezVictor Evaristo, Agata Zelechowska, and Charles Patrick Martin. 2017. Sverm-resonans: Performance installation for acoustically-activated guitars. In Program of the Ultima Contemporary Music Festival, Oslo. Ultima, Sentralen, Oslo, Norway. Retrieved from http://www.uio.no/english/research/groups/fourms/projects/sverm/events/2017/ultima/index.html
  • Charles Patrick Martin, Gonzalez SanchezVictor Evaristo, Tejaswinee Kelkar, Agata Zelechowska, Stig Johan Berggren, Christina Hopgood, Benedikte Wallace, Henrik Brustad, Bjørnar Utne-Reitan, Kai Olav Ellefsen, Tønnes Frostad Nygaard, Vegard Dønnem Søyseth, Guilherme Schmidt Câmara, and Ximena Alarcón Diaz. 2017. Ensemble metatone: 3-hour improvised touchscreen performance. In Elvelangs i fakkellys (river walk by lantern light).. Retrieved from https://youtu.be/NepiJe-TB_Q
  • Charles Patrick Martin. 2017. Neural Touchscreen Ensemble Performance 2017-07-03. https://doi.org/10.5281/zenodo.831910 URL: https://doi.org/10.5281/zenodo.831910
  • Charles P. Martin. 2016. PhaseRings for iPad ensemble and ensemble director agent. In Musical program of the international conference on auditory display. 232–233. Retrieved from http://www.icad.org/icad2016/proceedings/concert/ICAD2016_paper_99.pdf
  • Erin Helyard, Alexander Hunter, and Charles Martin. 2014. Helyard, Hunter, Martin: Experimental Music Studio Performance (ANU School of Music and ANU Drill Hall Gallery).
  • Charles Martin, Christina Hopgood, Jonathan Griffiths, and Yvonne Lam. 2014. Colour Music Concert with Ensemble Metatone. In Colour Music Concert Series. ANU Drill Hall Gallery, Canberra, Australia. Retrieved from https://youtu.be/ICeHWlNRsgU
  • Charles Martin, Christina Hopgood, Jonathan Griffiths, and Yvonne Lam. 2014. Ensemble Metatone: Loner Series Concert. In You are here festival. Canberra, Australia. Retrieved from https://youtu.be/vNdSjO7H9vE
  • Maria Finkelmeier, Charles Martin, and Jacob Remington. 2013. Ensemble Evolution: Showcase concert. In Percussive arts society international convention (PASIC ’13).. Retrieved from https://youtu.be/zqnffMAHbPA
  • Charles Martin, Christina Hopgood, Jonathan Griffiths, and Yvonne Lam. 2013. Ensemble metatone: Research concert 2013-08-03. Retrieved from http://hdl.handle.net/1885/101467
  • Charles Martin. 2013. Nordlig vinter for vibraphone and iOS devices. In Musical program of the international conference on new interfaces for musical expression (NIME ’13). Daejeon, Republic of Korea.
  • Chi-Hsia Lai and Charles Martin. 2010. Strike on Stage 1.2 for percussion and interactive media. In Musical program of the Australasian computer music conference.. Retrieved from https://vimeo.com/13543935
  • Chi-Hsia Lai and Charles Martin. 2010. Strike on Stage for percussion and interactive media. In Musical program of the international conference on new interfaces for musical expression.. Retrieved from http://www.nime.org/2010/program.html#Performances

Selected Music Recordings